Director: Tony Piccirillo
Genre: Drama
Studio: Universal Studios
Rated: R
Director, P.J. Castellaneta, did close to the same thing (minus the death threats) 13 years earlier in his 1991 release, "Together Alone." Here's how the two films line up:
----2 hunky guys (one married / one not---in both "24th" and "TA"),
----A night of lovemaking (remembered+talked about in "24th" / actually in bed in "TA"),
----AIDS as a factor (does he have it / does he not---in both films),
----A night of philosophizing (what if this / what if not this---in both films).
Apparently 1991's "Together Alone" garnered even lesser acclaim than did "24th" (but Castellaneta did go on 7 years later to make a somewhat more successful 'number' you've probably heard of titled, "Relax......It's Just Sex"). Actually, "TA" has never made it to DVD's ranks from its original VHS video release (and even that is shown by Amazon to be available only as used and, then, in a mere 4 copies)(Wolfe Video, it's original releaser, states it's no longer available from them).
Scott Speedman? While still somewhat newer and 'a-learning' as an actor, it takes only moments to see the shock waves of guilt, sorrow, and anger this man throws off in his role as Tom. Wow!
James Marsden? Dear gods, don't be jealous........for this man is so beautiful. (Just an aside: at times I find it almost difficult to look at him. While everyone's perception of beauty differs, to me this man is just plain arresting---watching him here and in "Heights" is almost too much). Nonetheless, his physical attributes are far surpassed by a freshness and depth of feeling, rare in such a young performer, which he brings to his dramatic roles, that of Dan being no exception.
Since I can add nothing more concerning performances and plot points than is contained in the several quite good 4- and 5-Star reviews already here, I will mention only one character detail: Tom is, at his most basic and essential, a good and honest human being. That is never lost sight of in this film, and, I think, is meant to clue us in on the real way in which the film is intended to end.