Director: Hajime Tsuburaya, Akio Jissoji
Genre: Art House & International
Studio: Mill Creek Entertainment
Rated: NR

Created by special effects wizard Eiji Tsuburaya (GODZILLA MOTHRA), the 1960s television series ULTRAMAN remains one of Japan s most beloved science-fiction exports. Airing between 1966 and 1967 with a total of 39 episodes the live-action series followed a high-tech police force and their robot superhero Ultraman as they battled to save Earth from invading monsters and aliens. This collection presents the complete series in original uncut andremastered editions. Starring AKIJI KOBAYASHI as Captain Cap Toshio Muramatsu, SUSUMO KUROBE as Shin Hayata, AKIHIKO HIRATA as Professor Iwamoto, MASANARI NIHEI as Mitsuhiro Ide, and HIROKO SAKURAI as Akiko Fuji.

Director: M. Night Shyamalan
Genre: Drama
Studio: Walt Disney Video
Rated: PG-13

When "Unbreakable" was released, Bruce Willis confirmed that the film was the first in a proposed trilogy. Viewed in that context, this is a tantalizing and audaciously low-key thriller, with a plot that twists in several intriguing and unexpected directions. Standing alone, however, this somber, deliberately paced film requires patient leaps of faith--not altogether surprising, since this is writer-director M. Night Shyamalan's daring follow-up to "The Sixth Sense". While just as assured as that earlier, phenomenal hit, "Unbreakable" is the work of a filmmaker whose skill exceeds his maturity, its confident style serving a story that borders on juvenile. However, Shyamalan's basic premise--that comic books are the primary conduit of modern mythology--is handled with substantial relevance.
Willis plays a Philadelphia security guard whose marriage is on the verge of failing when he becomes the sole, unscathed survivor of a devastating train wreck. When prompted by a mysterious, brittle-boned connoisseur of comic books (Samuel L. Jackson), he realizes that he's been free of illness and injury his entire life, lending credence to Jackson's theory that superheroes--and villains--exist in reality, and that Willis himself possesses extraordinary powers. Shyamalan presents these revelations with matter-of-fact gravity, and he draws performances (including those of Robin Wright Penn and Spencer Treat Clark, as Willis's wife and son) that are uniformly superb. The film's climactic revelation may strike some as ultimately silly and trivial, but if you're on Shyamalan's wavelength, the entire film will assume a greater degree of success and achievement. "--Jeff Shannon"

Director: David Gordon Green
Genre: Drama
Studio: MGM (Video & DVD)
Rated: R

The dazed, dreamlike world of director David Gordon Green remains intact, although "Undertow" has more story than his previous gems ("All the Real Girls", "George Washington"). In the hot, green Georgia countryside, a man (Dermot Mulroney) lives with his two sons on a farm; their existence is shattered by the arrival of the man's Faulknerian brother (Josh Lucas), a dangerous sort with an ulterior motive. The movie that follows is like "The Night of the Hunter" filtered through a "Days of Heaven" lens--there's even a "Heaven"-like narration provided by Jamie Bell. That's what you get for having Terrence Malick produce your movie. The plot doesn't always sit comfortably with Green's uncanny style--sometimes it feels like an intrusion on a private world of childhood--and Josh Lucas is "actory" in a way that most Green actors are not. Green is at his best when noticing some stray detail (the younger brother likes to arrange his books according to smell), not when connecting the dots of story. Still, the images will stick in your mind, Tim Orr's cinematography is superb, and Philip Glass provides a suitably mysterioso score. "--Robert Horton"

Director: Len Wiseman
Genre: Action & Adventure
Studio: Sony Pictures
Rated: R

"Blade" meets "The Crow" and "The Matrix" in "Underworld", a hybrid thriller that rewrites the rulebook on werewolves and vampires. It's a "cuisinart" movie (blend a lot of familiar ideas and hope something interesting happens) in which immortal vampire "death dealers" wage an ancient war against "Lycans" (werewolves), who've got centuries of revenge--and some rather ambitious genetic experiments--on their lycanthropic agenda. Given his preoccupation with gloomy architecture (mostly filmed in Budapest, Hungary), frenetic mayhem and gothic costuming, it's no surprise that first-time director Len Wiseman gained experience in TV commercials and the art departments of "Godzilla", "Men in Black", and "Independence Day". His work is all surface, no substance, filled with derivative, grand-scale action as conflicted vampire Selene (Kate Beckinsale, who later became engaged to Wiseman) struggles to rescue an ill-fated human (Scott Speedman) from Lycan transformation. It's great looking all the way, and a guaranteed treat for horror buffs, who will eagerly dissect its many strengths and weaknesses. "--Jeff Shannon"

Director: The History Channel
Genre: Drama, Sci-Fi
Studio: A&E HOME VIDEO
Rated: PG

We are in the midst of the greatest era of space discovery. Twenty first-century spacecraft and sophisticated imaging technology are venturing into uncharted territory every day, and much of the extraordinary phenomena are happening right in our own cosmic backyard.

Take an exhilarating, unprecedented 3D tour of the seven most amazing wonders of our solar system, beginning with a trip to Enceladus, one of Saturn s outer moons, where icy geysers spout from its surface. Then venture to Saturn s famous rings, which contain mountain ranges that rival the Alps; dive into Jupiter s Great Red Spot, the eye of the biggest storm in the solar system; soar through the Asteroid Belt, made of millions of rocks left over from the formation of the solar system; trek up Mount Olympus, the largest volcano located on Mars; have a close encounter with the searing surface of the sun; and finish the journey by exploring our very own home planet Earth.

Director: Tom McLoughlin
Genre: Art House & International
Studio: Universal Studios
Rated: R

WOW!!
Some of my friends told me about this movie and plus see people good review about this movie in here, I go head and bought this DVD...WOW!!I surprised of this story and scrip and acting in this movie, I just frezz in the chair watching this movie till end and end was shocking the most and I NEVER thought will happen that way!. I am really glad bought this DVD for myself and worth every penny I paid. Suspense and trill from head to toe of this movie, Cast and acting in this picture is amazing. carcia and new young actor VINCENT KARTHEISER done a amazing great job together in this movie. Loved it. Cant believe never knew about this movie earlier. . Great scrip, acting and actors with DTS sound WOW!!! A+

Director: Gregory Hoblit
Genre: Crime, Drama, Thriller
Studio: Sony Pictures
Rated: R

A secret service agent, Jennifer Marsh, gets caught in a very personal and deadly cat-and-mouse game with a serial killer who knows that people (being what they are - both curious and drawn to the dark side of things) will log onto an "untraceable" website where he conducts violent and painful murders LIVE on the net. The more people who log on and enter the website, the quicker and more violently the victim dies.

Director: Jamie Blanks
Genre: Horror
Studio: Sony Pictures
Rated: R

An attractive young woman is driving her car on a dark country road and singing along to the radio. She's running out of gas and so she pulls into a gas station (run by a jittery, stuttering Brad Dourif), but then flees what seems to be an attack, only to find the real threat in her backseat: a hooded killer with an ax who takes her head off with a well-aimed swing. You've heard the story before? Not surprising, given that it's one of the more famous urban legends borrowed for "Urban Legend", a post-"Scream" exercise in self-referential horror. The students at an ivy-covered New England college are turning up dead, the victims of a serial killer who murders in the fashion of the "apocryphal" modern myths. It's all for the benefit of good girl with a dark secret Alicia Witt, the sole witness to most of the killings. Doe-eyed Rebecca Gayheart, as her gullible best friend, and Jared Leto, the ambitious campus journalist who tracks down the secret that hangs over the school, lead a cast of pretty young women, hunky guys, and campus characters, notably the suspicious professor Robert Englund, a genre legend in his own right as the star of seven "Nightmare on Elm Street" films. Take away the cheeky remarks and self-awareness and it's a throwback to the 1970s' rash of teen slasher movies, where sexually active teens are sliced, diced, and otherwise slaughtered in elaborate and ingenious ways. The increasingly preposterous film is no "Scream", but the modestly stylish production has its moments. "--Sean Axmaker"

Director: John Ottman
Genre: Horror
Studio: Sony Pictures
Rated: R

While "Urban Legends: Final Cut" is not nearly as terrifying or inventive as some of its predecessors, the film does offer up a fairly suspenseful whodunit that fans of the teen horror genre will likely appreciate. Amy Mayfield, the film's heroine (played by fresh-faced Jennifer Morrison), is the daughter of an Oscar-winning documentary filmmaker trying to make a name for herself at Alpine University, "the greatest film school that ever existed." Along with several other students she is competing for the coveted Hitchcock award, which virtually guarantees the winner a successful career in Hollywood. When the film school's resident genius and likely winner of the award is found dead, suspicions arise. As other film students are killed off one by one, everyone becomes a suspect. Would someone kill to win the prestigious award?
While striving to be Hitchcockian in theme (as evidenced by its multiple references to the director himself), the film never quite moves beyond cliché. Many scenes are a little too reminiscent of other popular teen horror flicks like "Scream" (the anonymous masked killer, though not nearly as frightening), "The Blair Witch Project" (Amy is chased through desolate woods by her stalker), and "Friday the 13th" (Amy hides from the killer in a lake setting eerily similar to the one where Jason died so many years ago). These elements seem just a little worn out. Morrison gives a serviceable performance, and Loretta Devine, from the original "Urban Legend", adds humor as a Foxy Brown-worshiping security guard. The film manages to keep you guessing until its conclusion, and a sequence set in an abandoned amusement park is truly creepy. But ultimately "Urban Legends: Final Cut" lacks the originality to make a name for itself among the many films of its genre. "--Mindy Ruehmann"

Director: Jon Shear
Genre: Drama
Studio: Lions Gate
Rated: R

Jon Shear's film, one of the overlooked gems of 2000, simmers under a tense, disturbing air of inevitability. Charlie (Dan Futterman) wanders the nighttime streets of the city, a mournful lost soul determinedly pursuing a mysterious stranger whom he is convinced holds the key to his redemption. He encounters chatty bartenders, pompous pickups, and dying friends (including a biting Alan Cumming), and before long you are treated to that rare, great surprise of realizing that you have no idea where any of it is headed. Some of Shear and Daniel Reitz's play-based dialogue is stagy, but the mercurial Futterman, both subtly sympathetic and unstable, is superlative. The film surrounds him with loopy urban legends (the poodle in the microwave, the AIDS-infected one-night-stand, etc.), then cunningly lifts the veil on such stories to reveal the fear motivating them. Uncertainty and isolation create the need for fantastic terrors. Shear hauntingly suggests here how much more horrifying and heartbreaking real life can be. "--Steve Wiecking"