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Director: Douglas Cheek
Genre: Horror
Studio: Anchor Bay
Rated: R

Douglas Cheek's grotty urban horror fable "C.H.U.D." deserves to be seen in its natural habitat--a Times Square grind-house theater--but horror enthusiasts will have to enjoy this widescreen version from the comforts of their own homes. John Heard stars as a former fashion photographer now pursuing a "real" career in photojournalism. While working on a piece about the homeless, he discovers that toxic waste, stashed in New York's sewer system, is turning tunnel squatters into the title acronym (Cannibalistic Humanoid Underground Dwellers). Teaming up with frazzled soup kitchen capo (and fellow "Home Alone" alumnus) Daniel Stern, Heard uncovers a government conspiracy behind the mutations; horror fans will know exactly how the government handles its uncovered wrongdoings. While Gary Sherman's "Raw Meat" (1973) remains the final word in homeless horror films, "C.H.U.D." has a threadbare charm, thanks to Cheek's poker-faced direction, the endearingly slap-dash effects (courtesy John Caglione Jr. and Ed French), and game performances by a surprisingly A-list cast, including appearances by John Goodman, Jay Thomas, Patricia Richardson, and Jon Polito.
Anchor Bay's DVD is uncut and retains all of the cutting-room footage added by New World Pictures to beef up the butchered TV version; furthermore, it features a rollicking commentary by Cheek, Heard, Stern, cast mate Christopher Curry, and writer Shephard Abbott, which is worth the purchase price alone. Easter-egg hunters should click on the "C.H.U.D."'s glowing eyes in the main menu for a longer version of the grotesque shower scene. "--Paul Gaita"
Director: Gary Trousdale, Kirk Wise
Genre: Horror
Studio: Lions Gate
Rated: R

A sneaky and surprisingly smart horror flick, "Cabin Fever" sets up all the cliches of its particular subgenre (what might be called the "sexy young people go into the woods" horror movie, featuring hostile redneck locals, dead animals on hooks, cars that suddenly stop running, etc.) and by the end has played a clever twist on every standard element, often to darkly comic effect. What's the plot? Well, five sexy young people (Rider Strong, Jordan Ladd, Joey Kern, Cerina Vincent, and James DeBello) go to an isolated cabin where they contract a nasty bacteria that eats their flesh; this, combined with a bad-tempered dog and a party-loving police deputy (Giuseppe Andrews, giving a particularly funny performance), leads everyone into confusion and bloody chaos. Some of the ironic twists are a little obvious, but most of them effectively subvert your expectations to entertaining effect. "--Bret Fetzer"
Director: Ti West
Genre: Horror
Studio: Lionsgate
Rated: R

A high school prom faces a deadly threat: a flesh-eating virus that spreads via a popular brand of bottled water.
Director: Tinto Brass, Bob Guccione
Genre: Drama
Studio: Image Entertainment
Rated: Unrated

Caligula may very well be the most controversial film in history. Only one movie dares to show the perversion behind Imperial Rome, and that movie is "Caligula," the epic story of Rome's mad emperor. All the details of his cruel, bizarre reign are revealed right here: his unholy sexual passion for his sister, his marriage to Rome's most infamous prostitute, his fiendishly inventive means of disposing of those who would oppose him, and more. The combined talents of cinematic giants Malcolm McDowell, Peter O'Toole, John Gielgud and Shakespearean actress Helen Mirren, along with an acclaimed international cast and a bevy of beautiful Penthouse Pets, make this unique historical drama a masterwork of the screen. Not for the squeamish, not for the prudish, "Caligula" will shock and arouse you as it reveals the deviance and decadence beneath the surface of the grandeur that once was Rome.
Director: Joe D'Amato
Genre: Adult

The mad Roman emperor Caligula romances a young Moor woman ploting to kill him while he continues his debauched lifestyle of sex and murder.
Director: Brad Anderson
Genre: Crime, Thriller
Studio: Sony Pictures Home Entertainment
Rated: R

In this heart-pounding, edge-of-your-seat thriller, veteran 911 operator Jordan (Halle Berry) takes a life-altering call from a teenage girl (Abigail Breslin) who has been kidnapped and thrown into the trunk of a madman's car. But with the clock ticking, Jordan soon realizes she must confront a killer from her past in order to save the girl's life and put an end to a serial killer's haunting rampage.
Director: Todd Graff, Kip Bogdahn
Genre: Comedies
Studio: MGM Home Entertainment
Rated: PG-13 (MPAA)

Todd Graff's crowd-pleasing directorial debut pays tribute to summer camps, musical theatre, and Stephen Sondheim. The heartwarming comedy follows a group of youngsters who gather together for another summer at Camp Ovation, a refuge in upstate New York that nurtures aspiring performers. This year, the arrival of Vlad (Daniel Letterle) gets everyone's juices flowing. There's the pretty, but shy, Ellen (Joanna Chilcoat); the oversensitive Michael (Robin De Jesus); the stuck up Jill (Alana Allen); the tormented, overweight Jenna (Tiffany Taylor); the scheming Fritzi (Anna Kendrick); and the beautiful Dee (Sasha Allen). In awe of the camp's guest instructor, Bert Hanley (Don Dixon), Vlad is crushed to discover that he has become a bitter, cynical alcoholic. Amidst the raging hormones and daily melodramas, the kids must nonetheless concentrate on the task at hand, which includes staging the summer's final production. Determined not to succumb to Bert's negative influence, Vlad convinces everyone to stage a performance that will inspire everyone. Using a cast of incredibly talented unknowns, Graff makes certain that each budding superstar has their moment to shine. Shifting between comedy and drama in the span of a single scene, Graff also packs CAMP with enough in-jokes and musical numbers to make for a highly entertaining experience.<br><br>Part of the New Directors/New Films 2003 series presented by The Department of Film and Media at the Museum of Modern Art and the Film Society of Lincoln Center in New York City.



Theatrical Release Date: April 4, 2003 (NY)



Muze/MTS Inc.
Director: Bavo Defurne
Genre: Art House & International
Studio: Strand Releasing Home Video
Rated: NR

Very charming films from a young promising director. These are great little short films about gay love and loss. It is a delight to see the gorgeous cast in Bavo's bittersweet art films. Bavo's website has news about a first feature, I can't wait for it to be released. These films are classic but not at all mainstream, a real must for anyone expecting something special.
Director: Joseph Greco
Genre: Drama
Studio: Screen Media
Rated: PG-13

Inspired by first-hand experience, "Canvas" handles the mental illness of a family member with sympathy and sensitivity. Ten-year-old towhead Chris (newcomer Devon Gearhart) lives on the Florida coast with his construction worker father, John (Emmy winner Joe Pantoliano, "The Sopranos"), and amateur artist mother, Mary (Oscar winner Marcia Gay Harden, "Pollock"). Since a diagnosis of schizophrenia 18 months ago, Mary's behavior has grown increasingly erratic. John's insurance company refuses to cover her medication, and she refuses to take it. To add insult to injury, his mother embarrasses Chris publicly and classmates make fun of her outbursts. When Mary’s paranoid delusions result in institutionalization, John becomes Chris's sole caretaker. To take their minds off their problems, John starts building a sailboat and Chris picks up sewing. To the boy’s surprise, his customized T-shirts catch on with the local girls, like Dawn (Sophia Bairley), who thinks his overly-demonstrative mother is "nice" (she finds her own hippie-dippy mom more embarrassing). For the Marino men, these creative pursuits help them to feel useful rather than helpless. Produced by Bruce Beresford ("Tender Mercies") and George Hickenlooper ("Factory Girl"), Joseph Greco's semi-autobiographical debut has the soft-edged camera work and generic guitar score of a Lifetime movie (it begins with seagulls flying in slow motion). Fortunately, above-average-acting--particularly from Pantoliano--and a non-melodramatic approach to a usually-sensationalized subject win out in the end. It’s an emotionally true look at an all-too-common dilemma. "--Kathleen C. Fennessy"
Director: Peter Hyams
Genre: Action, Thriller
Studio: Associated General Films
Rated: PG

Charles Brubaker is the astronaut leading NASA's first manned mission to Mars. Seconds before the launch, the entire team is pulled from the capsule and the rocket leaves earth unmanned much to Brubaker's anger. The head of the programme explains that the life support system was faulty and that NASA can't afford the publicity of a scratched mission. The plan is to fake the Mars landing and keep the astronauts at a remote base until the mission is over, but then investigative journalist Robert Caulfield starts to suspect something.
Director: Anthony Russo, Joe Russo
Genre: Action, Adventure, Sci-Fi
Studio: Marvel Studios
Rated: PG-13

With many people fearing the actions of super heroes, the government decides to push for the Hero Registration Act, a law that limits a hero's actions. This results in a division in The Avengers. Iron Man stands with this Act, claiming that their actions must be kept in check otherwise cities will continue to be destroyed, but Captain America feels that saving the world is daring enough and that they cannot rely on the government to protect the world. This escalates into an all-out war between Team Iron Man (Iron Man, Black Panther, Vision, Black Widow, War Machine, and Spider-Man) and Team Captain America (Captain America, Bucky Barnes, Falcon, Scarlet Witch, Hawkeye, and Ant Man) while a new villain emerges.
Director: Joe Johnston
Genre: Action, Adventure, Sci-Fi
Studio: Paramount Pictures
Rated: PG-13

It is 1942, America has entered World War II, and sickly but determined Steve Rogers is frustrated at being rejected yet again for military service. Everything changes when Dr. Erskine recruits him for the secret Project Rebirth. Proving his extraordinary courage, wits and conscience, Rogers undergoes the experiment and his weak body is suddenly enhanced into the maximum human potential. When Dr. Erskine is then immediately assassinated by an agent of Nazi Germany's secret HYDRA research department (headed by Johann Schmidt, a.k.a. the Red Skull), Rogers is left as a unique man who is initially misused as a propaganda mascot; however, when his comrades need him, Rogers goes on a successful adventure that truly makes him Captain America, and his war against Schmidt begins.
Director: Anthony Russo, Joe Russo
Genre: Action, Adventure, Sci-Fi
Studio: Marvel Entertainment
Rated: PG-13

For Steve Rogers, awakening after decades of suspended animation involves more than catching up on pop culture; it also means that this old school idealist must face a world of subtler threats and difficult moral complexities. That becomes clear when Director Nick Fury is killed by the mysterious assassin, the Winter Soldier, but not before warning Rogers that SHIELD has been subverted by its enemies. When Rogers acts on Fury's warning to trust no one there, he is branded as a traitor by the organization. Now a fugitive, Captain America must get to the bottom of this deadly mystery with the help of the Black Widow and his new friend, The Falcon. However, the battle will be costly for the Sentinel of Liberty, with Rogers finding enemies where he least expects them while learning that the Winter Soldier looks disturbingly familiar.
Director: Paul Greengrass
Genre: Biography, Drama, Thriller
Studio: Sony Pictures Home Entertainment
Rated: PG-13

Captain Richard Phillips attempts to escape from armed Somali pirates while the U.S. Navy tries to rescue him.
Director: Ventura Pons
Genre: Art House & International
Studio: Water Bearer Films, Inc

Director: Declan Lowney
Genre: Drama
Studio: Hbo Home Video
Rated: NR

1934. The Dustbowl. The last great age of magic. In a time of titanic sandstorms, vile plagues, drought and pistilence - signs of God's fury and harbingers of the Apocalypse - the final conflict between good and evil is about to begin. The battle will take place in the Heartland of an empire called America. And when it is over, man will forever trade away wonder for reason. See the conflict of good vs. evil played out against a pair of vivid and unusual backdrops: a traveling carnival working the American Dustbowl circuit, and an evangelical ministry in California.
Episodes:
1 - 1.Milfay
2.After the Ball is Over
2 - 3. Tipton
4. Black Blizzard
3 - 5. Babylon
6. Pick a number
4 - 7. The River
8. Lonnigan, Texas
5 - 9. Insomnia
10. Hot and Bothered
6 - 11. Day of the Dead
12. The Day that was the Day
Bonus Content

DVD Features:
Audio Commentary: 3 Audio Commentaries with Creator Daniel Knauf, Executive Producer Howard Klein and Directors Rodrigo Garcia and Jeremy Podeswa
Featurette: "Making of Carnivale" Featurette detailing how set and costume designers collaborated to achieve the look of the Dustbowl in the 1930s



System Requirements:
Running Time 720 Min

Format: DVD MOVIE
Director: David Giles
Genre: Television
Studio: HBO Home Video
Rated: Unrated

The second season of HBO's Depression-era gothic--John Steinbeck by way of Tod Browning--picks up where the first left off. Professor Lodz (Patrick Bauchau) is dead. Ben (Nick Stahl), the show's protagonist, appears to be the culprit. Samson (Michael J. Anderson) helps him dispose of the body. Later he tells the other carnival workers that Lodz "took a powder." Lila (Debra Christofferson) doesn't buy it. Meanwhile, Sophie (Clea DuVall), who lost her mother to fire the previous year, feels unmoored without her guidance. A few states away, Brother Justin (Clancy Brown) harbors ever greater delusions of grandeur--and inappropriate thoughts about his sister, Iris (Amy Madigan). In "Alamagordo, NM," he decides to establish a temple, which he dubs Jonestown, er, Jericho. At the same time, life amongst the carnies, who are heading towards Justin's California, is becoming increasingly tense. Ruthie (Adrienne Barbeau), for instance, is starting to see dead people--like Lodz--and Stumpy (Toby Huss) is no longer able to keep his gambling in check. As with the first season, the action continues to alternate between the carnival and the congregation. What binds the two is a man named Scudder (John Savage), who has connections to Ben and Justin. Although writer/creator Dan Knauf had planned to tie things up between seasons three and six, HBO did not renew "Carnivàle" a second time. Nonetheless, a surprising number of questions are answered, like the identity of "Management" (voiced by an un-credited Linda Hunt) and whether Ben and Justin will have a final showdown. The answer to the latter question is: Yes, they will--and there'll be casualties. "--Kathleen C. Fennessy"
Director: Kimberly Peirce
Genre: Drama, Horror
Studio: MGM (Video & DVD)
Rated: R

Chlo‰ Grace Moretz and Academy Awardr nominee Julianne Moore* star in this exhilarating reimagining of Stephen King's iconic best seller. After merciless taunting from classmates and abuse at the hand of her religious fanatic mother (Moore), Carrie's (Mortez) anger - and her telekinetic powers - are unleashed. And when a prom prank goes horribly wrong, events spiral out of control until the terrifying conclusion of this powerful, pulse-quickening horror story.
Director: Robert Zemeckis
Genre: Action & Adventure
Studio: 20th Century Fox
Rated: PG-13

"Cast Away" is a good movie that wants to be much better. While director Robert Zemeckis's earlier film "Contact" achieved a kind of mainstream spiritual significance, "Cast Away" falls just short of that goal. That may explain why the film's most emotionally powerful scene involves the loss of an inanimate object, even as it presents a heart-rending dilemma in its very human final act.
It's three movies in one, beginning when punctuality-obsessed Federal Express systems engineer Chuck Noland (Tom Hanks) departs on Christmas Eve to escort an ill-fated flight of FedEx packages. Following a mid-Pacific plane crash, movie number two chronicles Chuck's four-year survival on a remote island, totally alone save for a Wilson volleyball (aptly named "Wilson") that becomes Chuck's closest "friend." Movie number three leads up to Chuck's rescue and an awkward encounter with his ex-girlfriend Kelly (Helen Hunt, in a thankless role), for whom Chuck has seemingly risen from the grave.
It's fascinating to witness Chuck's emerging survival skills, and Hanks's remarkable physical transformation is matched by his finely tuned performance. With slow, rhythmic camera moves and brilliant use of sound, Zemeckis wisely avoids the postcard prettiness of "The Black Stallion" and "The Blue Lagoon" to emphasize the harshness of Chuck's ascetic solitude, and this stylistic restraint allows "Cast Away" to resonate more than one might expect. Even the final scene--which feels like a crowd-pleasing compromise--offers hope without shoving it down our throats. You may not feel the emotional rush that you're meant to feel, but "Cast Away" remains a respectable effort. "--Jeff Shannon"
Director: Steven Spielberg
Genre: Action & Adventure
Studio: Dreamworks Video
Rated: PG-13

An enormously entertaining (if somewhat shallow) affair from blockbuster director Steven Spielberg. Leonardo DiCaprio stars as Frank Abagnale, Jr., a dazzling young con man who spent four years impersonating an airline pilot, a doctor, and a lawyer--all before he turned 21. All the while he's pursued by a dedicated FBI agent named Carl Hanratty (Tom Hanks), whose dogged determination stays one step behind Abagnale's spontaneous wits. Both DiCaprio and Hanks turn in enjoyable performances and the movie has a bouncy rhythm that keeps it zipping along. However, it never gets under the surface of Frank's drive to lose himself in other identities, other than a simplistic desire to please his father (Christopher Walken, excellent as always), nor does it explore the complex mechanics of fraud with any depth. By the movie's end, it feels like one of Frank's pilot uniforms--appearance without substance. "--Bret Fetzer"
Director: Ariel Schulman Henry Joost
Genre: Documentary
Studio: Universal
Rated: PG-13

The slipperiness of truth and lies on the Internet gets played out in unexpected ways in the documentary "Catfish". When Nev Schulman receives a painting based on a photograph of his from an 8-year-old girl named Abby in Michigan, he doesn't realize this is going to lead to a long-distance romance with Abby's older sister Megan… and that this romance, conducted over the phone and the Internet, will lead to something far more troubling. It would be unfair to reveal more details of "Catfish", as the process of discovery is one of its pleasures--but even if you do know the sequence of events, the movie's ultimate reward is not the revelation of secrets but the surprising and very human interactions of the movie's last third. While there is a thriller aspect to the movie--and the suspense at points is indeed nail biting--the revelation isn't the bang that Hollywood movies lead you to expect. Instead, "Catfish" turns sad, unsettling, and sure to inspire arguments about motivations and human nature. "--Bret Fetzer"
Director: Pitof
Genre: Action & Adventure
Studio: Warner Home Video
Rated: PG-13

For a certain segment of the population, the vision of Halle Berry in shredded skin-tight leather is reason enough to see "Catwoman". As Patience Philips, Berry plays a mousy graphic designer for a cosmetics company who learns a little too much about her employer's new beauty cream and gets flushed down a waste-disposal pipe. A supernatural cat brings Patience back to life and brings up a new persona from the depths of her psyche; soon she's bounding around fire escapes, cracking a whip, and getting framed for a couple of murders by a villainous ex-supermodel (Sharon Stone, "Total Recall", "Basic Instinct"). If you're hoping for a Catwoman with bite, this is not your movie--this Catwoman rescues children from malfunctioning ferris wheels and apologizes for stealing jewels. The movie's script and visual style are as fresh as used kitty litter. Also featuring Benjamin Bratt ("Miss Congeniality"), and Frances Conroy ("Six Feet Under"). "--Bret Fetzer"
Director: Bruce Hunt
Genre: Horror
Studio: Sony Pictures
Rated: PG-13

While it might give spelunkers a few helpful hints about using their equipment, "The Cave" is strictly routine as an "Alien"-styled monster show. The film's major achievement is its impressive setting -- not a real cave under the Carpathian mountains (where the ill-fated characters are exploring "the Amazon of underground rivers") but a lavishly convincing cave set built on a Romanian soundstage. This gives first-time director Brad Hunt (a second- and third-unit director on the "Matrix" trilogy) the movie's only claim to originality, as the cavernous interiors become a death trap for most of the nine-person team (led by Cole Hauser, and including Morris Chestnut, Daniel Dae Kim from TV's "Lost", and "Coyote Ugly"'s Piper Perabo) that's exploring the maze-like cave for reasons never fully explained (maybe they just wanted to test out their fancy gear). They're not alone down there, and creature-feature specialist Patrick Tatopoulos borrows from the H.R. Giger design-book with some gnarly critters that, in turn, borrow elements from "The Thing" to foment suspicion and anxiety among the dwindling crew of survivors. It's all familiar to genre buffs, but there's just enough in "The Cave" to satisfy the curiosity of its intended audience. Dumped into theaters for a marginal release in late summer 2005, it's precisely the kind of horror flick that finds a second life on DVD. "--Jeff Shannon"
Director: Tarsem Singh
Genre: Horror
Studio: New Line Home Video
Rated: R

Schizoid serial killer Carl Stargher (Vincent D'Onofrio) has been captured at last, but a neurological seizure has rendered him comatose, and FBI agent Peter Novak (Vince Vaughan) has no way to determine the location of Stargher's latest and still-living victim. To probe the secrets contained in Stargher's traumatized psyche, the FBI recruits psychologist Catherine Deane (Jennifer Lopez), who has mastered a new technology that allows her to enter the mind of another person. What she finds in Stargher's head is a theater of the grotesque, which, as envisioned by first-time director Tarsem Singh, is a smorgasbord of the surreal that borrows liberally from the Brothers Quay, Czech animator Jan Svankmajer, Hieronymous Bosch, Salvador Dali, and a surplus of other cannibalized sources.
This provides one of the wildest, weirdest visual feasts ever committed to film, and "The Cell" earns a place among such movie mind-trips as "2001: A Space Odyssey", "Altered States", "What Dreams May Come", and "Un Chien Andalou". Is this a good thing? Sure, if all you want is freakazoid eye-candy. If you're looking for emotional depth, substantial plot, and artistic coherence, "The Cell" is sure to disappoint. The pop-psychology pablum of Mark Protosevich's screenplay would be laughable if it weren't given such somber significance, and Singh's exploitative use of sadomasochistic imagery is repugnant (this movie makes "Seven" look tame), so you're better off marveling at the nightmare visions that are realized with astonishing potency. "The Cell" is too shallow to stay in your head for long, but while it's there, it's one hell of a show. "--Jeff Shannon"
Director: Tim Iacofano
Genre: Drama, Fantasy, Horror, Sci-Fi, Thriller
Studio: New Line Home Video
Rated: R

This straight-to-DVD sequel to the 2000 Jennifer Lopez picture must play its mind games without Lopez herself. But the idea's still intact: another telepathic mind-melder (played by Tessie Santiago) is employed by the police to get into the brain of a serial killer. She's been clinically dead six times or something, and can "see" in a way others cannot. She was herself once held by the madman, who has figured out a way to wipe his face out of her visions of his dark, torture-filled world. Where the original film directed by Tarsem (the music-video veteran and maker of "The Fall") at least provided some gaudy visuals for the already-tired premise, "The Cell 2" has "24" producer-director Tim Iacofano at the helm. The sense of overheated episodic television prevails, although the acting can charitably be described as beneath the level of an average TV show. (The exception is the villain, after he's unmasked, but those kinds of roles reliably provide opportunities for mustache-twirling shenanigans.) One begins to miss the old-fashioned simplicity of a normal mad-killer movie; now you've got to keep straight how each scene alters the memories, or unconscious minds, or the ability to foretell things, or... see, already we've lost track. "--Robert Horton"
Director: Jakob M. Erwa
Genre: Drama, TV Movie
Studio: Neue Schönhauser Filmproduktion

After a summer spent with his his best friend Kat to escape his family, Phil goes back to school and starts to question his feelings towards Nicholas, a new classmate.
Director: Roger Michell
Genre: Drama
Studio: Paramount
Rated: R

Impeccably crafted and smarter than your average thriller, "Changing Lanes" proves that revenge is a dish best served cold. A high-powered attorney (Ben Affleck) learns that lesson the hard way after he flees the scene of an accident involving an insurance salesman (Samuel L. Jackson) who holds a powerful advantage in his retaliatory strike against the lawyer's arrogant behavior. Affleck has everything to gain if he can retrieve a lost document from Jackson, who has everything to lose (wife, family, savings) when threatened with financial sabotage. To his versatile credit, "Notting Hill" director Roger Michell never plays the race card in this escalating battle of wills, focusing instead on the percolating resentments of men at opposite ends of the economic scale. As he did in "Eyes Wide Shut", actor-director Sydney Pollack chillingly embodies the venal elite in a pivotal supporting role, and "Changing Lanes" potently illustrates the wisdom of heeding a guilty conscience. "--Jeff Shannon"
Director: Neill Blomkamp
Genre: Action, Crime, Sci-Fi, Thriller
Studio: Columbia Pictures
Rated: R

In Johannesburg, the police department reduced the high rating of criminality using robots from the Tetravaal Company, designed by the engineer Deon Wilson. The former military Vincent Moore is envious of Deon, since he has developed another project called Moose, but neither Tetravaal nor the police department is interested. Deon has just developed an Artificial Intelligence but the Tetravaal's CEO Michelle Bradley asks him to abort the project. Deon decides to bring the damaged Robot 22 that was sent to be crushed to test his A.I. However he is kidnapped by the criminals Ninja, Yo-Landi and Amerika that want him to stop the robot cops. When they see the damaged robot in the van, they force Deon to program it to heist banks with them and they call it Chappie. However, Chappie acts like a child and need to be trained to learn and grow. Meanwhile Vincent follows Deon and plots an evil scheme to activate his robot.
Director: Tim Burton
Genre: Comedy
Studio: Warner Home Video
Rated: PG

Mixed reviews and creepy comparisons to Michael Jackson notwithstanding, Tim Burton's splendidly imaginative adaptation of "Charlie and the Chocolate Factory" would almost surely meet with Roald Dahl's approval. The celebrated author of darkly offbeat children's books vehemently disapproved of 1971's "Willy Wonka and the Chocolate Factory" (hence the change in title), so it's only fitting that Burton and his frequent star/collaborator, Johnny Depp, should have another go, infusing the enigmatic candyman's tale with their own unique brand of imaginative oddity. Depp's pale, androgynous Wonka led some to suspect a partial riff on that most controversial of eternal children, Michael Jackson, but Burton's film is too expansively magnificent to be so narrowly defined. While preserving Dahl's morality tale on the hazards of indulgent excess, Burton's riotous explosion of color provides a wondrous setting for the lessons learned by Charlie Bucket (played by Freddie Highmore, Depp's delightful costar in "Finding Neverland"), as he and other, less admirable children enjoy a once-in-a-lifetime tour of Wonka's confectionary wonderland. Elaborate visual effects make this an eye-candy overdose (including digitally multiplied Oompa-Loompas, all played by diminutive actor Deep Roy), and the film's underlying weirdness is exaggerated by Depp's admirably risky but ultimately off-putting performance. Of course, none of this stops Burton's "Charlie" from being the must-own family DVD of 2005's holiday season, perhaps even for those who staunchly defend Gene Wilder's portrayal of Wonka from 34 years earlier. "--Jeff Shannon"
Director: Andrew Gurland
Genre: Comedy
Studio: New Line Home Video
Rated: PG-13

Four high school friends use their various skills to create a crack team of academic cheaters in "Cheats": Handsome (Trevor Fehrman), the ringleader who finds a way to squirrel out of anything; Sammy (Elden Henson), his childhood cohort, who's starting to wonder if honest effort might be more rewarding than cheating; Victor (Matthew Lawrence), an up-and-coming thug with good looks; and Applebee (Martin Starr), who writes the smallest and most precise crib notes of all time. They've held it together until their senior year, when their conflicting morals create rifts that threaten their solidarity. "Cheats" wants to be a combination of a classic heist flick and a celebration of the outsider, like "Rushmore"; unfortunately, everything about the movie feels false, from its depiction of the high school hierarchy to the implausible schemes. Also featuring Mary Tyler Moore as the school principal. "--Bret Fetzer"
Director: Brad Parker
Genre: Horror, Mystery, Sci-Fi, Thriller
Studio: Warner Home Video
Rated: R

Chernobyl Diaries (Blu-ray)
Director: Kai S. Pieck
Genre: Art House & International
Studio: Strand Home Video
Rated: Unrated

Between 1962 and 1966, four schoolboys were abused, tortured and killed in Germany’s Ruhr District. Their tormentor, Jürgen Bartsch, was fifteen at the time of his first crime; nineteen when he was caught. His mesmerizing confession, which frames the re-enactment of his crimes and the circumstances through which they came about, forms the heart of this journey into the dark reaches of a troubled mind.
Director: James Franco
Genre: Crime, Drama, Thriller
Studio: Well Go USA
Rated: R

In 1960s Tennessee, Lester Ballard is a dispossessed, violent man one the narrator describes as a child of God much like yourself. Deprived first of his family and then his home, Ballard descends literally and figuratively to the level of a cave dweller, falling deeper into a disturbing life of crime and degradation.
DVD EXTRAS
TRAILER
Director: Kareem Mortimer
Genre: Drama
Studio: Tla Releasing
Rated: Unrated

Set on the sun-drenched Bahamian islands, Children of God is an award-winning, timeless and brave love story. Blond haired, blue-eyed Johnny travels to the island of Eleuthera intent on finding some artistic inspiration. After arriving, he meets the confident, attractive black musician Romeo and it is instantly clear that there is a spark between them. Although Romeo has a fianc‚, he has secretly played with boys on the side before - but Johnny is not just any boy, and soon their relationship becomes far more intense than a simple fling. Struggling to overcome rampant homophobia, and an anti-gay crusade erupting around them, it is going to take more than wishful thinking for their love to last. A beautifully shot, captivating romance, Children of God paints a universally relevant portrait of desire, sexual conflict, tolerance and self-acceptance.
Director: Alfonso Cuarón
Genre: Action & Adventure
Studio: Universal Studios
Rated: R

Presenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, "Children of Men" is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cure for global infertility. As they carefully navigate between the battling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although "Children of Men" glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. "--Jeff Shannon"
Director: Fritz Kiersch
Genre: Horror, Thriller
Studio: Image Entertainment
Rated: R

A young couple (Linda Hamilton, "Terminator 2", and Peter Horton, "thirtysomething") find themselves stranded in the rural town of Gatlin, Neb., where they encounter a mysterious religious sect of children. But nowhere in town are there any adults. The horror grows to a blood-curdling climax as the two new visitors learn the horrifying secret behind the prospering corn fields. Based on the classic short story by Stephen King, "Children of the Corn" is a longtime horror favorite that has spawned six sequels and many imitations. See how it all started.
Director: Donald P. Borchers
Genre: Horror, Thriller
Studio: ANCHOR BAY
Rated: Unrated

Burton and Vicki are an unhappily married couple that are making their way across the country when a freak accident leaves them stranded in the middle of a corn field. They soon learn that this is no typical cornfield and there is something different about the children of Gatlin. Now Burton and Vicki must make their escape before they become sacrifices to He Who Walks Behind The Rows.
Director: Ken Hughes
Genre: Adventure, Family, Fantasy, Musical
Studio: MGM (Video & DVD)
Rated: G

This 1968 kiddie-car caper is flawed but solid family fare. It retains a quaint charm while some of the songs--including the title tune--are quite hummable. A huge plus is Dick Van Dyke, who is extremely appealing as an eccentric inventor around the turn of the century. With nimble fingers and a unique way of looking at the world, he invents for his children a magic car that floats and flies. Or does he? The special effects are tame by today's standards, and the film is about 20 minutes too long--but its enthusiasm charms. The script was cowritten by Roald Dahl and based on the novel by Ian Fleming, best known for his James Bond adventures. "--Rochelle O'Gorman"
Director: Keith Gordon
Genre: Drama
Studio: MGM (Video & DVD)
Rated: R

After acting in literary adaptations like "Christine", Keith Gordon returned to the well for his directorial debut. His smart and stylish adaptation of Robert Cormier's controversial youth novel marks him as a natural. Based in a frequently overcast Pacific Northwest, Jerry Renault (Ilan Mitchell-Smith, "Weird Science") enters a Catholic boys' school in the wake of his mother's passing. The freshman already has enough worries, but then Brother Leon (a ferocious John Glover) instructs each student to sell 50 boxes of chocolates during Trinity's annual fundraiser. Jerry refuses. Leon is taken aback, but then he finds that Jerry's refusal--his "assignment"--was handed down by Machiavellian upperclassman Archie ("CSI"'s Wallace Langham, then known as Wally Ward), head of the Vigils. The secret society also instructs Jerry to recant, but he sticks to his guns. At first, a few kids congratulate him on his stand, but then Leon and Archie, threatened by the iconoclast, turn the school against him. The climactic showdown between Jerry and Archie deviates from the book, but retains its cynical spirit. As Gordon explains in his DVD interview, "They both threaten the system, and in the end, the system is a much bigger problem than any one individual." Like his mentor Brian DePalma, Gordon aims more for emotional than visual truth, which translates into dramatic lighting and fantasy sequences (which are, at first, more confusing than illuminating), but the performances remain grounded in reality. Interestingly, Mitchell-Smith, who never overplays his hand, abandoned acting in the 1990s--for teaching. "--Kathleen C. Fennessy"
Director: Christophe Barratier
Genre: Art House & International
Studio: Miramax
Rated: PG-13

By getting nominated for Academy Awards in both the Foreign Language Film and Best Song categories, "Les Choristes" (The Chorus) made a rare (for a European film) double impression at the 2004 Oscars. This sentimental tale follows the arrival of a new teacher at a remote boys school in 1949 France (the war is a largely unspoken but ghostly presence). With disciplinary problems rampant, and the policies of the old-fashioned headmaster not helping, Monsieur Mathieu decides to introduce choral singing as a way to bridge the gap with his students. You don't need a crystal ball to figure out where this will go, although the movie uses its atmospheric location and lush vocal arrangements well. Bald, dumpy Gerard Jugnot provides a refreshingly offbeat hero (though securely in the traditions of the My Most Memorable Teacher movie); he's sort of a younger Philippe Noiret. Director Christophe Barratier works in the winsome-cute mode that makes a certain kind of French movie into an overly sweet bon bon, although at least this bon bon sings. "--Robert Horton"
Director: Anja Kofmel
Genre: Animation, Short
Studio: Hochschule Luzern

Director: Nick Marck
Genre: Comedy
Studio: Warner Home Video
Rated: NR

When Cousin Eddie joined Clark Griswold and his family for National Lampoon's Christmas Vacation, the movie quickly becaume a holiday institution. An institution, of course, is where many think Cousin Eddie should reside. Randy Quaid again plays crude but lovable Eddie and Miriam Flynn returns as his wife in another comic skid on the Vacation banana peel. In a way, Christmas has always been a test of survival for Eddie and his brood. And that's truer than ever when they receive an expenses-paid holiday tour of the South Pacific and end up shipwrecked on a remote island. Fred Willard, Ed Asner, Eric Idle in a zany cameo and more join in this season of comfort and joy. Which means little comfort for Eddie. And lots of joy for Vacation fans.
DVD Features:
Outtakes
Theatrical Trailer

Director: Josh Trank
Genre: Drama, Sci-Fi, Thriller
Studio: 20th Century Fox
Rated: PG-13

If you should come upon a glowing, possibly extraterrestrial object buried in a hole, go ahead and touch the thing--you might just get superpowers. Or so it goes for the three high-school buds in "Chronicle", an inventive excursion into the teenage sci-fi world. Once affected by the power, the guys exercise the joys of telekinesis: shuffling cars around in parking lots, moving objects in grocery stores, that kind of thing. Oh yeah--they can fly, too: and here director Josh Trank takes wing, in the movie's giddiest sequence, as the trio zips around the clouds in a glorious wish-fulfillment. It goes without saying that there will be a shadow side to this gift, and that's where "Chronicle", for all its early cleverness, begins to stumble. Broody misfit Andrew (Dane DeHaan), destined to be voted Least Likely to Handle Superpowers Well by his graduating class, is documenting all this with his video camera, which is driving him even crazier (the movie's in "found footage" style, so everything we see is from a camcorder or security camera, an approach that gets trippy when Andrew realizes he can levitate his camera without having to hold it). Trank and screenwriter Max Landis (son of John) seem to lose inspiration when the last act rolls around, so the movie settles for weightless battles around the Space Needle and a smattering of mass destruction. Still, let's give "Chronicle" credit for an offbeat angle, and a handful of memorable scenes. "--Robert Horton"
Director: Arie Posin
Genre: Comedy
Studio: Dreamworks Video
Rated: R

"The Chumscrubber" is a darkly satiric story about life crumbling in the midst of a seemingly idyllic suburbia.
Director: Dirk Shafer
Genre: DVD Outlet
Studio: TLA Releasing
Rated: Unrated

From Director Dirk Schafer, whose "Man of the Year" pulled women's magazine centerfolds out of the closet, comes this sultry hyper-kinetic drama set in the sex-and-pecs, music and steroid world of the circuit party scene-where drugs flow and inhibitions fall on the sweaty dance floor. John is a closeted small-town cop who moves to L.A., where he is quickly seduced into a new lifestyle. As John falls deeper and deeper into a spiral of drugs and carousing, his one chance for redemption lies in the arms of his new boyfriend.
Director: Keith Melton
Genre: video_T
Studio: Sony Pictures
Rated: G

Journey of Man racconta la storia dell'uomo, dalla sua nascita fino alla maturità . Il Cirque du Soleil ne ripercorre le tappe attraverso i toni caldi delle sue musiche, le armonie di corpi dei suoi artisti e le ambientazioni fantastiche ed emozionanti delle sue scenografie, in uno spettacolo straordinario ed irripetibile.
Director: Gil Kenan
Genre: Action & Adventure
Studio: 20th Century Fox
Rated: PG

Light bulbs speckle the sky instead of stars in "City of Ember", a fantasy in which a secret city has been built to preserve mankind from worldwide disaster. But over time, the purpose of the city is lost--and the city gradually decays. As power failures threaten to bring on the collapse of everything, young messenger Lina Mayfleet (Saoirse Ronan, "Atonement") discovers damaged instructions for leaving the city. Her friend, pipeworker Doon Harrow (Harry Treadaway, "Brothers of the Head"), helps her find the hidden mechanisms that will let everyone escape...but the city's corrupt Mayor (Bill Murray) is more interested in personal gain and tries to stop Lina. "City of Ember" begins marvelously; the story unfolds smoothly, the production design is rich and engaging, the young leads are charming (Ronan is particularly good), and Murray is as superb as ever. Unfortunately, the movie starts to stumble; some plot turns are baffling (there seems to be some connective tissue left on the cutting room floor) and what should be an action climax flounders with subpar special effects. But even when the movie loses its sure-footedness, there are delightful moments and visual wonders. The strong supporting cast includes Tim Robbins, Mary Kay Place ("Sweet Home Alabama"), Mackenzie Crook ("The Office"), Toby Jones ("Infamous"), and Marianne Jean-Baptiste ("Secrets & Lies"). "--Bret Fetzer"
Director: Marc Caro
Genre: Art House & International
Studio: Sony Pictures
Rated: R

The fantastic visions of Belgian filmmakers Marc Caro and Jean-Pierre Jeunet find full fruition in this fairy tale for adults. Evoking utopias and dystopias from "Brazil" to "Peter Pan", Caro and Jeunet create a vivid but menacing fantasy city in a perpetually twilight world. In this rough port town lives circus strongman One (Ron Perlman), who wanders the alleys and waterfront dives looking for his baby brother, snatched from him by a mysterious gang preying upon the children of the town. Rising from the harbor is an enigmatic castle where lives the evil scientist Krank (Daniel Emilfork), who has lost the ability to dream and robs the nocturnal visions of the children he kidnaps, but receives only mad nightmares from the lonely cherubs. Other wild characters include the Fagin-like Octopus--Siamese twin sisters who control a small gang of runaways-turned-thieves--Krank's six cloned henchmen (all played by the memorable Dominique Pinon from "Delicatessen"), and a giant brain floating in an aquarium (voiced by Jean-Louis Trintignant). Caro and Jeunet are kindred souls to Terry Gilliam (who is a vocal fan), creating imaginative flights of fancy built of equal parts delight and dread, which seem to be painted on the screen in rich, dreamy colors. "--Sean Axmaker"
Director: Claude Miller
Genre: Art House & International
Studio: Picture This
Rated: Unrated

In Class Trip (La Classe De Neige), Nicolas is an insecure child plagued by visions of disaster. His peers tease him, or ignore him, while his teachers are frustrated by his lack of social skills. Nicolas leads a lonely life until a class trip to the ski country, where Hadkann, the class bully, befriends him and becomes intrigued by his dreams. When one of Nicolas's visions mirrors a true-life murder, he and Hadkann set out to solve the crime. Claude Miller directs Class Trip with a deft and subtle hand. Adapted from Emmanuel Carrere’s acclaimed novel of the same name, Miller takes his audience inside the mind of an emotionally damaged child. He recalls the intense social hierarchy of childhood, combining it with the psychological suspense of an unseen killer, and the haunting beauty of the French countryside. His previous works include Alias Betty and La Petite Lili.
Director: Jonathan Frakes
Genre: Action & Adventure
Studio: Paramount
Rated: PG

Who hasn't fantasized about being able to stop time and move things around? A watch with this power drops into the hands of Zak (Jesse Bradford), a teenager who yearns for speed. He uses it to impress Francesca (Paula Garces), the beautiful girl he's got a crush on, but soon they both find themselves running from a government agency led by a ruthless executive (Michael Biehn from "The Terminator") who wants the watch at all costs. "Clockstoppers" suffers from a lack of any internal logic, but the basic idea fuels a reasonably swift story and some decent special effects. The soundtrack is unusually strong, with pop offerings from Blink 182, Sugar Ray, Smash Mouth, and others. Also featuring French Stewart ("Love Stinks") as a hapless scientist and Julia Sweeney ("It's Pat", "God Said "Ha!"") as Zak's mother. "--Bret Fetzer"
Director: Lana Wachowski, Tom Tykwer, Andy Wachowski
Genre: Drama, Sci-Fi
Studio: Warner Home Video
Rated: R

You've got to give it up for a movie that goes the big-canvas route and then some: "Cloud Atlas" is a mega-project, a star-studded near-three-hour opus that reaches for deep metaphysical meaning. And instead of one story, the movie adapted from David Mitchell's novel features six interlocking narratives, ranging from a 19th-century seafaring yarn to a pair of futuristic dystopias (one high-tech, the other a postapocalyptic return to barbarism). To emphasize the themes of eternal recurrence and transmigrating souls, the hard-working actors play multiple roles across these timelines, so you get to see Tom Hanks and Halle Berry et al. ensconced in a variety of makeup and prosthetics. This includes casting across gender and race, which means if you've ever wondered how Hugo Weaving would look as a tough female nurse, or Jim Sturgess as an Asian action hero, this is your chance. (Coming across best are a sprightly Jim Broadbent, a mournful Ben Whishaw, and a genuinely haunting Doona Bae.) This tapestry is so large it required three directors: Andy and Lana Wachowski, and Tom Tykwer, who applied all their talent to a project that, the more it goes on, begins to resemble a kind of glossy New Age seminar complete with chase scenes. "Cloud Atlas" is often fun to watch just for the sheer ambition of it, in the way you'd watch a circus act full of dangerous stunts… but nonsense dressed in highfalutin clothes is still nonsense, and in the end the approach feels more than a little silly. "--Robert Horton"
Director: Phil Lord, Chris Miller
Genre: Animation, Comedy, Family, Sci-Fi
Studio: Sony Pictures Home Entertainment
Rated: PG

When Flint Lockwood’s (Bill Hader) latest contraption accidentally destroys the town square and rockets up into the clouds, he thinks his inventing career is over. Then something amazing happens as delicious cheeseburgers start raining from the sky. His machine actually works! But when people greedily ask for more and more food, the machine starts to run amok, unleashing spaghetti tornadoes and giant meatballs that threaten the world! Now it’s up to Flint, with the help of weather girl Sam Sparks (Anna Faris) and Steve, his talking monkey assistant, to find some way to shut down the machine before the world is covered in super-sized meatballs!
Director: Cody Cameron, Kris Pearn
Genre: Animation, Comedy, Family, Fantasy
Studio: Sony Pictures Home Entertainment
Rated: PG

In the wake of the disastrous food storm at the end of the first movie, Flint Lockwood and friends are forced to leave their town of Swallow Falls. But when it is discovered that sentient food beasts have overrun the island, they are asked to return to save the world again.
Director: Matt Reeves
Genre: Action & Adventure
Studio: Paramount
Rated: PG-13

One of the first things a viewer notices about "Cloverfield" is that it doesn't play by ordinary storytelling rules, making this intriguing horror film as much a novelty as an event. Told from the vertiginous point-of-view of a camcorder-wielding group of friends, "Cloverfield" begins like a primetime television soap opera about young Manhattanites coping with changes in their personal lives. Rob (Michael Stahl-David) is leaving New York to take an executive job at a company in Japan. At his goodbye party in a crowded loft, Rob’s brother Jason (Mike Vogel) hands a camcorder to best friend Hud (T.J. Miller), who proceeds to tape the proceedings over old footage of Rob’s ex-girlfriend, Beth (Odette Yustman)--images shot during happy times in that now-defunct relationship. Naturally, Beth shows up at the party with a new beau, bumming Rob out completely. Just before one's eyes glaze over from all this heartbreaking stuff (captured by Hud, who's something of a doofus, in laughably shaky camerawork), the unexpected happens: New York is suddenly under attack from a Godzilla-like monster stomping through midtown and destroying everything and everybody in sight. Rob and company hit the streets, but rather than run with other evacuees, they head toward the center of the storm so that Rob can rescue an injured Beth. There are casualties along the way, but the journey into fear is fascinating and immediate if emotionally remote--a consequence of seeing these proceedings through the singular, subjective perspective of a camcorder and of a story that intentionally leaves major questions unanswered: Who or what is this monster? Where did it come from? The lack of a backstory, and spare views of the marauding creature, are clever ways by producer J.J. Abrams and director Matt Reeves to keep an audience focused exclusively on what’s on the screen. But it also makes "Cloverfield" curiously uninvolving. Ultimately, "Cloverfield", with its spectacular effects brilliantly woven into a home-video look, is a celebration of infinite possibilities in this age of accessible, digital media. "--Tom Keogh"
Director: Ron Howard
Genre: Sci-Fi
Studio: 20th Century Fox
Rated: PG-13

An offbeat and charming comedy with elements of science fiction thrown in, director Ron Howard's ("Ransom", "Apollo 13") unlikely fantasy ponders the price of immortality and the power of everlasting love. A group of aliens travel to a Florida retirement community to rescue some long-stranded colleagues cocooned and buried beneath the sea. But as the aliens take on human form and stash their counterparts in a swimming pool, a group of elderly retirees discover the pool and after swimming in the water find themselves rejuvenated, with boundless energy and insatiable appetites. Soon the retirees are forced to choose between living out their lives on earth with their families, or leaving with the aliens and attaining immortality. More character driven than dependent on the incredible plot, the film's charm comes from its characters and the wonderful cast, including Don Ameche, who won an Academy Award for his role as one of the randy retirees. "--Robert Lane"
Director: Michael Winterbottom
Genre: Art House & International
Studio: MGM (Video &amp; DVD)
Rated: R

Like "Gattaca" did before it, "Code 46" extrapolates from the present to posit a chilling, dystopian look at our genetically regimented future. In the corporate-controlled, near-future scenario presented by prolific director Michael Winterbottom and his regular screenwriter Frank Cottrell Boyce, nations and languages have merged to form a polyglot society in which genetic imperfections are avoided by the strict enforcement of Code 46, which prohibits sex between people who share 100%, 50%, or even 25% matching DNA. As an insurance-fraud investigator in Shanghai to investigate the issuance of forged passports (a major offense in an overcrowded world), Tim Robbins meets his prime suspect (Samantha Morton, echoing her role in "Minority Report"), and their violation of Code 46 has tragic and ultimately dehumanizing repercussions. Fascinating as a "what-if" scenario, Winterbottom's film is more successful as a melancholy mood-piece than a science-fiction tale. While the plot and characters suffer from occasionally vague definition, "Code 46" offers a fascinating study of human longing in an age of oppressive globalization. "--Jeff Shannon"
Director: Mike Figgis
Genre: Drama
Studio: Buena Vista Home Entertainment
Rated: R

Turn off your brain and "Cold Creek Manor" just might turn into an entertaining thriller. Taking an uncharacteristic detour into nonsensical plot mechanics, director Mike Figgis expertly pushes buttons with this nerve-jangling but ultimately hackneyed story (by Richard Jeffries) about a documentary filmmaker (Dennis Quaid) who moves his wife (Sharon Stone) and two kids into a run-down rural mansion once owned by the family of a simmering ex-convict (Stephen Dorff), who's got secret reasons for wanting Quaid's family to leave. This rote potboiler wants to be as thrilling as "Fatal Attraction", but it's more like "Pacific Heights"--fun to watch as the tension escalates with Dorff's violent behavior, but seriously flawed as plot holes proliferate. With a few good shocks and slinky support from Juliette Lewis, it's perfectly enjoyable as a popcorn distraction, but maybe they should've called it "Cold Creaky Manor" instead. "--Jeff Shannon"
Studio: Summit Inc/Lionsgate
Rated: PG-13

"The Cold Light of Day" is most notable for two things. It stars Henry Cavill, the British actor plucked from near-obscurity to be Superman in the 2013 reboot, "Man of Steel". It also features an extended cameo appearance from Bruce Willis, who does something he's rarely done as a good-guy action hero before. The early-on plot twist is a little shocking, but not necessarily a surprise based on the fact that this is not a vehicle for Willis. It seems to be mostly a tryout for Cavill as a leading man that gives him a chance to practice his American accent. Other than those novelty factors, this clichéd thriller is a fairly routine exercise in Bourne/Bond espionage action that showcases gunplay, explosions, double-crossing spies, and a fish-out-of-water protagonist fighting for his life against exotic background locales. Cavill plays Will, a Silicon Valley entrepreneur on vacation with his family for a yacht trip in Spain. His father, Martin (Willis), considers Will a disappointing black sheep who cares more about his cell phone than his family. The unsurprising reveal is that Dad is a CIA hotshot whose life of deception was the primary strain between father and son. Before the inevitable reconciliation, the boat and the family disappear while Will is ashore. It's a kidnapping in retaliation for Martin's extraction of a mysterious briefcase (the contents of which are never revealed) that is wanted by battling geopolitical intelligence factions perfectly happy to kill anyone who stands in the way of their ownership. Will is thrust into the intrigue, frantic with worry over his family and on the run from the authorities for the murder of a police officer he didn't kill. His appeal to the US Embassy is fruitless until another shadowy player named Carrack intervenes on his behalf. This cold and ultimately duplicitous character is played by Sigourney Weaver, who adds a much-needed level of credibility to the slapdash narrative and makes the often-wooden dialogue a little livelier. The conflict becomes: who can Will trust when he's out in the cold? How about a guileless Spanish beauty who appears as randomly as most every other development in the movie? Lucia (Verónica Echegui, a delightful Penélope Cruz clone) teams with Will in his escape from the multitude of thug spies tracking him, all of them bent on finding the briefcase by any means necessary. Will has to get there first to clear himself, save his family (or what's left of it), and find out things about himself he never knew. Cavill makes a bland heroic figure, which isn't necessarily a bad thing in the larger context. Without Willis and Weaver (who has been channeling the elegant strength of "Ripley" primarily for camp value in her later career), "The Cold Light of Day" probably wouldn't have seen the light of day at all. As it is, the movie is a mostly satisfying genre piece perfectly worthy of its workmanlike mix of style and substance. "--Ted Fry"
Director: Vincent Grashaw
Studio: Breaking Glass
Rated: Unrated

"Coldwater"

DVD SPECIAL FEATURES:
-First Look: Casting P.J. Boudousque
-Making-of Featurette
-Deleted Scenes
-Outtakes
-Teaser trailer
-Theatrical Trailer


Brad Lunders (P.J. Boudousque) is a teenager forcefully abducted from his home in the middle of the night with his mother's consent to a harsh wilderness reform facility. There is no contact with the outside world and the retired war colonel in charge prides himself on breaking an inmate's spirit in order to correct delinquent behavior.
As we learn of the tragic events that led to Brad's arrival at the camp, unforeseen circumstances threaten to tear the already eroding reform facility apart, forcing Brad to confront not only his fellow inmates and the personnel in charge, but finally his own sense of what is right and what is wrong.
Director: James Steven Sadwith
Genre: Drama
Studio: Red Hat Films
Rated: PG-13

Coming Through the Rye, set in 1969, is a touching coming of age story of sensitive, 16 yr. old Jamie Schwartz, who is not the most popular kid at his all boys' boarding school. Disconnected from students and teachers, he believes he is destined to play Holden Caulfield, the main character of The Catcher in the Rye, and has adapted the book as a play. After a series of increasingly hostile altercations with the boys at school Jamie runs away to search for JD Salinger. On his way he picks up Deedee Gorlin, a quirky townie. Their odyssey to find Salinger becomes a journey of sexual awakening, the discovery of love and of the meaning of one's life.
Director: Philippe Mora
Genre: Drama
Studio: ELITE ENTERTAINMENT
Rated: R

Was author Whitley Strieber telling the truth about extraterrestrial visitations in his bestselling book, "Communion"? Perhaps no one can really prove or disprove it, making the enigma of Strieber himself more interesting than his allegations. That's precisely the angle taken by this film adaptation, in which Christopher Walken's richly eccentric performance becomes a fascinating portrait of something more important than rumors of alien abduction--that is, human resistance and surrender to transformation. The script does an end run around the deductive process and research Strieber employed in his book to substantiate his claims. Instead, the story concentrates on the impact of those experiences on Strieber's own psyche: the disbelief, the repressed memories, the mounting helplessness and futility as the years go by.
Walken makes it all terribly compelling, from his childlike compliance to the diminutive aliens who turn up in his home at night to an unexpected story climax in which Strieber demystifies the little buggers on his own surprisingly comic terms. The supporting cast is terrific, including Lindsay Crouse as Strieber's concerned wife, Frances Sternhagen as a doctor, and Joel Carlson as Strieber's son. This is not an offering that panders to today's alleged abductees, but rather a study of a sole survivor who finds his peace on his own terms. "--Tom Keogh"
Director: Tom Laughlin
Genre: Action & Adventure
Studio: Image Entertainment
Rated: PG

Experience the legend like never before! These four groundbreaking, action-packed cinematic adventures from `70s pop culture icon Billy Jack feature all of the fast-kicking, politically-aware stories that had audiences cheering and clamoring for me. Influencing action films for decades, the Billy Jack films broke the mold with their unique hero, a half-Indian/half-white ex-Green Beret bent on correcting injustice and hypocrisy to help America reach its full potential. Witness the heroism yourself with this complete four-film set, all newly remastered in high-definition for breathtaking, unsurpassed quality! Includes Born Losers, Billy Jack, The Trial of Billy Jack and Billy Jack Goes to Washington.
Director: Josh Stolberg
Studio: Tribeca
Rated: Unrated

Product Description
CONCEPTION is a clever, romantic comedy that proves it takes more than sex to make a baby. From a couple fighting the odds of fertility to young teenagers losing their virginity, the film follows nine very different couples on the night they conceive, showing that sex can sometimes be more neurotic than erotic. The hilarious ensemble cast includes Emmy® winner Julie Bowen and Sarah Hyland ("Modern Family"), Connie Britton ("Friday Night Lights"), David Arquette ("Never Been Kissed"), Jason Mantzoukas ("The League") and Alan Tudyk ("Dodgeball").Special Features:An interview with Director Josh Stolberg and Producer Leila Charles Leigh, Presented by American ExpressDeleted ScenesOuttakes
Director: Pirjo Honkasalo
Genre: Drama, TV Movie
Studio: Plattform Produktion
Rated: Unrated

Concrete Night opens in a cramped, concrete-jungle home. The elder of the two brothers is getting ready to go and serve his prison sentence. During his last 24 hours of freedom, his little brother follows the brother he admires through the fateful sights of that night.
Director: Francis Lawrence (II)
Genre: Action & Adventure
Studio: Warner Home Video
Rated: R

In the grand scheme of theological thrillers, "Constantine" aspires for the greatness of "The Exorcist" but ranks more closely with "The Order". Based on the popular "Hellblazer" comic book series, and directed with nary a shred of intelligence by music video veteran Francis Lawrence, it's basically "The Matrix" with swarming demons instead of swarming machines. Keanu Reeves slightly modifies his "Matrix" persona as John Constantine, who roams the dark-spots of Los Angeles looking for good-evil, angel-devil half-breeds to ensure that "the balance" between God and Satan is properly maintained. An ancient artifact and the detective twin of a woman who committed evil-induced suicide (Rachel Weisz) factor into the plot, which is taken so seriously that you'll want to stand up and cheer when Tilda Swinton swoops down as the cross-dressing angel Gabriel and turns this silliness into the camp-fest it really is. The digital effects are way cool (dig those hellspawn with the tops of their heads lopped off!), so if you don't mind a juvenile lesson in pseudo-Catholic salvation, "Constantine" is just the movie for you! "--Jeff Shannon"
Director: Robert Zemeckis
Genre: Drama, Mystery, Sci-Fi, Thriller
Studio: Warner Bros. Pictures
Rated: PG

Contact is the story of a free thinking radio astronomer who discovers an intelligent signal broadcast from deep space. She and her fellow scientists are able to decipher the Message and discover detailed instructions for building a mysterious Machine. Will the Machine spell the end of our world, or the end of our superstitions? Will we take our place among the races of the Galaxy, or are we just an upstart species with a long way to go?
Director: Steven Soderbergh
Studio: Warner Home Video
Rated: PG-13

Matt Damon, Gwyneth Paltrow, Jude Law, Laurence Fishburne and Bryan Cranston, along with medical journalist Sanjay Gupta, explore the real science of global viruses and what they mean to the human race. The world is preparing for the next biological disaster...but is it too late?
Director: Anthony Tattersall
Genre: Horror
Studio: York Entertainment
Rated: NR

"Once you enter, fear will keep you there."
When a deranged scientist releases a group of experimental creatures, a security guard (Julian Peck) loses his grip on reality. Atop unexplained hallucinations and strange voices, the guard is faced with the challenge of deciphering his illusions from a dangerous reality. Consequently, he is quickly swept into a terrifying puzzle that will uncover his past, and shake the foundations of his future. The only other slight problem is that his wife has dropped off his son in the midst of his horrific nightmare.
Director: Anthony Joseph Giunta
Genre: Drama, Family, TV Movie
Studio: Contest LLC
Rated: PG

Bullied high school student Tommy (Daniel Flaherty) is suddenly befriended by his chief tormentor, Matt (Kenton Duty), the school's most popular student and star athlete. Tommy is suspicious, but is forced to accept the awkward friendship in order to enter a cooking contest with a big prize. And besides, it's so much easier to impress his crush, Sarah (Katherine McNamara), when he's not getting beat up by Matt and his team. As the cooking contest heats up, Sarah sniffs out a conspiracy, but nobody wants to hear about it. Can Tommy trust his budding friendship with Matt or is it all a huge joke on him?
Director: Theo van Gogh
Genre: Art House & International
Studio: Picture This! Entertainment
Rated: NR

This film COOL! is the last film made by Theo van Gogh, a vociferous advocate for free speech and the great-great-grandson of Theo van Gogh, brother of the famous Vincent van Gogh, before he was murdered in 2004 by Muslim extremist following a television documentary on the mistreatment of women in the Islam sector. That fact alone gives some reason to watching this low budget, moderately effective movie. One wonders what other projects might have followed from this man's creative output: COOL! is not a great epitaph.

Life in contemporary city streets in Holland finds a small group of Moroccan adolescents whose rather gentle leader is Abdel (Fouad Mourigh), challenged by a life of idealism but propelled by the financial rewards of small crime. One major, though young, gangster is Prof (Johnny de Mol) who manipulates Abdel's boys into a bank heist arranged by Prof and his girl Mabel (Katja Schuurman). The heist is thwarted by undercover cops and Abdel and his gang are placed in a reformatory school where they are to learn the ways to fit into society rather than remain on the unsuccessful periphery. They resist at first but gradually learn though group therapy the benefits of self respect, respect for their fellowmen, and finding goals for turning their nebulous lives around. They are offered passes from the school and during one of those passes an incident occurs when tempted to return to their old ways, an incident that capitalizes on the reform school teachings.

van Gogh's technique for filming this rather lack-luster story was to utilize Hip Hop not only for the background music but also for conveying some of the dialogue of the film. That impairs involvement as it creates more of a vaudeville atmosphere to a serious story. The cast simply isn't strong enough to pull off this caper film, despite some fine moments from Mourigh and Schuurman. The message is clear but the method dilutes it into a too blatant form of preaching. In Dutch and Arabic with subtitles. Grady Harp, December 05
Director: Jonathan Milott, Cary Murnion
Genre: Action, Comedy, Horror, Sci-Fi
Studio: SpectreVision
Rated: R

COOTIES is a horror comedy with unexpected laughs and unapologetic thrills. When a cafeteria food virus turns elementary school children into killer zombies, a group of misfit teachers must band together to escape the playground carnage. The film stars Elijah Wood (The Hobbit, Lord of the Rings), Rainn Wilson ("The Office"), and Alison Pill ("The Newsroom") as teachers who fight to survive the mayhem while hilariously bickering in an uncomfortable love triangle on the worst Monday of their lives.
Director: Jon Amiel
Genre: Action & Adventure
Studio: Paramount
Rated: PG-13

Smarter than "Armageddon" and equally extreme, "The Core" is high-tech Hollywood hokum at its finest. It's scientifically ridiculous, but this variant of "Fantastic Voyage" at least "tries" to be credible as it plunges deep into the earth's inner core, where a formulaic team of experts pilot an earth-boring ship to jump-start the planet's spinning molten interior, now stalled by a military secret that could seal the fate of all humankind. It's a geophysicist's wet dream that only a fine ensemble cast could rescue from absurdity, and director Jon Amiel ("Entrapment", "Copycat") draws excellent work (and plenty of humorous interplay) from Aaron Eckhart, Hilary Swank, Stanley Tucci, Delroy Lindo, and a host of memorable supporting players, especially "The New Guy"'s D.J. Qualls as the world's greatest cyber-nerd. With enough digital F/X disasters to satisfy anyone's apocalyptic fantasies, this is a popcorn thriller with all the bells and whistles that its genre demands. Sit back, pump up the volume, and enjoy the dazzling ride. "--Jeff Shannon"
Director: Olivier Ducastel, Jacques Martineau
Genre: Art House & International
Studio: Strand Home Video
Rated: NR

In the film "Cote D'Azur" (AKA "Crustaces et Coquillages"), Beatrix (Valeria Bruni Tedeschi) and her husband Marc (Gilbert Melki) are on holiday in the family's inherited villa. Their two teenage children are along for the relaxation--Charly (Romain Torres) and Laura (Sabrina Seyvecou). It's so hot and steamy, it's no wonder that things rapidly slide out of control--Laura takes off with a biker, and that leaves Charly with his parents. Much to Beatrix's delight, Charly's friend, Martin (Edouard Collin) arrives. Beatrix, who prides herself on being tolerant--too tolerant--according to her husband, decides that Charly is romantically involved with Martin. To Beatrix, being 'tolerant' is a characteristic she wears like a badge of honour.

In the meantime, Beatrix's lover Mathieu (Jacques Bonaffe) arrives and begins to constantly pester her with cell phone calls. Beatrix juggles moments au famille with hot and torrid encounters with Mathieu. Then an old lover (Jean-Marc Barr) from Marc's past reappears. Marc becomes more and more uptight as the holiday wears on, and he wrestles leaf blowers and wrenches rather than come to terms with his sexuality. The deceptions beneath the surface become more complex, and Charly witnesses the drama as his parents' lives unravel.

With strong elements of French farce, the film, directed by Jacques Martineau and Olivier Ducastel also blends in a few silly musical numbers. There are several extremely funny moments--everyone focuses on the shower for a variety of reasons, and in the household, the shower seems to be the hub of activity. Exactly who is in the shower, and what they are doing there, becomes Marc's obsession. While the film doesn't really make us care one way or another what paths the lives of its characters take, it's a frothy distraction that may appeal depending on your mood (3 1/2 stars). In French with English subtitles--displacedhuman
Director: Renny Harlin
Genre: Action & Adventure
Studio: Sony Pictures
Rated: PG-13

Where do you find a school like this where every student there is like a chiseled out marble statue of a Greek god? Do scared high school girls really wander the halls anywhere at 2:00am wearing just a towel after taking a shower in a place where male high school boys just walk in and out of the community shower at will? And what's with that? This is some private academy with suites for rooms and the students don't even have their own bathrooms? Is that a bird? A plane? No, it's a .....Hummer? Hey, good buddy, I just had a head-on with a Mustang convertible and my thirty thousand pound payload didn't even scratch the paint on that Ford pony car. This film was a charmed episode with four guys replacing the three girls and it wasn't charming. Young ladies might like the naked and and semi-naked boys and guys might go for the cute coeds who like to lounge around wearing not a lot. Okay, the movie wasn't all bad. If however you are watching a film for..Oh, I don't know...a plot maybe that makes some kind of sense..This isn't it. The acting was pretty bad and while the special effects were done pretty well, they were just plain silly. I did learn something about myself though, watching this movie. If I really put my mind to it, even this clunker couldn't put me to sleep. One final note: The person watching this movie with me actually liked it..What can I say?
Director: Michael Bafaro
Genre: Mystery & Suspense
Studio: Allumination
Rated: Unrated

An ancient artifact in the form of a demonic cane unleashes a conspiracy of unspeakable evil upon humanity in this pulse pounding horror-thriller. After up and coming PR exec David Goodman (Edward Furlong) is passed over for a promotion at work and blinded by a seemingly random attack in the street, he's willing to do anything to see again. Guillermo List (Michael Madsen), a shadowy accolyte from hell, promises to restore David's sight and ensure his corporate success if the desperate young man will pay the ultimate price...his soul.
Director: Jon Favreau
Studio: Universal Pictures
Rated: PG-13

Cowboys & Aliens fuses rip-snortin' horse opera with some whiz-bang sci-fi, melding dry and austere badlands with slimy, mucusy aliens. Jake Lonergan (Daniel Craig, of James Bond fame) wakes up in the midst of sagebrush with a mysterious gadget around his wrist and no idea who he is--but he sure does remember how to take care of the bounty hunters who want to bring him in. His path soon crosses with a ruthless cattle baron named Woodrow Dolarhyde (Harrison Ford, of Indiana Jones fame), who's not too happy with Lonergan, who got Dolarhyde's son in trouble. But their fracas becomes beside the point when spaceships descend and start lassoing people like cattle. The humans, including a mysterious woman (Olivia Wilde, Tron), a Native American tribe, and some snaggletoothed outlaws, band together to fight off this invasion from another world. The first two-thirds of Cowboys & Aliens is peppy fun, with its tongue-in-cheek Wild West-ness and colorful supporting cast (including Sam Rockwell, Keith Carradine, Paul Dano, and Walton Goggins) and fairly understated CGI. The last third, with the obligatory assault on the alien vessel and a mess of clichés and inconsistencies, deflates a bit, which isn't surprising given that six screenwriters were involved. Director Jon Favreau (Iron Man) does what he can to keep things lively. Fortunately, the good spirits of the first two-thirds will carry most viewers through to the end. --Bret Fetzer

Stills from Cowboys & Aliens (Click for larger image)
Director: David Gleeson
Genre: Comedy
Studio: TLA Releasing
Rated: NR

An award-winning, exhilaratingly funny coming-of-age film, Cowboys & Angels tells the witty story about two Irish lads-one straight and one gay-from their youthful career ambitions to romance to entanglements with the law. Shane (Michael Legge, Angela's Ashes) is a shy civil servant striking out on his own. Vincent (Allen Leech) is a gay fashion design student looking for a roommate. When they cross paths, a friendship begins with Vincent helping pull Shane from his shell and sending him on the road to fabulousness. However, Shane becomes involved in drug running and falls for Vincent's best friend Gemma (the luminous Amy Shields).
Director: Brian Taylor, Mark Neveldine
Genre: Action & Adventure
Studio: Lions Gate
Rated: R

A professional hit man (Jason Statham) is poisoned and has only hours to live. He has some big tasks to accomplish before the grim reaper arrives.
Director: Mark Neveldine, Brian Taylor
Genre: Action, Comedy, Crime, Thriller
Studio: Lionsgate
Rated: R

Chev Chelios survives a fall from the sky, sort of. He's in an unknown location, sedated, while various Chinese are harvesting his organs. His heart is gone, in an ice chest; a temporary in its place. Chev escapes, knowing only the name of the guy with the ice chest. He calls Doc Miles, an unlicensed cardiologist, who tells him there's only an hour's life in the artificial heart: keep it charged. Chev needs to find his own heart and get to Doc for a transplant. He starts his time-limited pursuit of shadowy figures, the ice chest, and his heart aided by Eve, Rei, and Venus - a stripper, a prostitute, and a pal with Tourette's - constantly needing an electric charge to keep going.
Director: George A. Romero
Genre: Action, Horror, Thriller, Drama, Sci-Fi
Studio: Pittsburgh Films
Rated: R

A biological weapon gone awry is only the start of problems in the little town of Evan's City, Pennsylvania. Bouts of insanity in the populace are leading to murder and rioting, until the US Army turns up - and things really start going to hell.
Director: Antonio Banderas
Genre: Comedy, Crime, Drama
Studio: Columbia Pictures Corporation
Rated: PG-13

A backwoods Alabama boy named Peejoe -short for Peter Joseph- gets a quick education in grown-up matters like freedom in 1965. The catalyst is an unlikely source - his glamorous, eccentric Aunt Lucille, who escapes from her abusive husband and takes off for Hollywood to pursue her dreams of TV stardom.
Director: François Ozon
Genre: Drama
Studio: Strand Home Video
Rated: Unrated

I must defend this adorable, intelligent film from any pettiness that might keep people from it. A film school Prof. I know showed this to his students, and it was the hit of the year. The brilliant prologue set-up says more about sex and love than an entire Hollywood season. As the plot unfolds, the boy murders another boy at the girl's request; they are captured by a troll while hiding the body. The young man learns from his captor in the "Greek" style that there is more to love than pleasing a girlfriend; by the "end", Romeo/Hansel might be a "better man" -- or, he might just have fallen in love with his captor (another case of Patty Hearst capture rapture). The actors are gorgeous, ugly, and intimate. The psychology is Shakespearean in depth and ambiguity. Among the GREAT films, and a gorgeous DVD.
Studio: Dreamworks Animation
Rated: PG

Grug: The hardest working father in history. For Grug, there are no weekends, holidays or sick days. Like most dads, Grug is fiercely protective of his family, and his hyper-vigilance is defined by his “fear is good; change is bad” philosophy. But in order to keep his family truly safe, Grug must learn the difference between surviving and living.

Ugga: Grug’s mate. She’s every bit as solid and sure as Grug, but over their many years of raising their children together, Ugga has always deferred to her husband’s authority. When she suddenly finds herself in the position of being a cave-wife with no cave, Ugga is forced to make the right decision for her family -- even if it means changing the way they live.

Eep: Grug’s rebellious teenage daughter is trying to drag her family kicking and screaming into the future. Her nagging feeling that there might be more to life outside the family cave is confirmed when the Croods embark on a journey of a lifetime.

Thunk: Grug’s son is 6-feet, 3-inches tall, 280 pounds, and 9 years old. Thunk wants to be a great hunter like his dad, but Thunk can’t hit the broad side of a mammoth.

Gran: Grug’s feisty mother-in-law is truly ancient, at age 45. Her twilight years haven’t diminished her irascibility, or her instincts for survival.

Sandy: The youngest of the Croods, four-year-old Sandy is as feral and vicious as a baby wildcat. In a dangerous world full of creatures trying to take a bite out of her, Sandy is not afraid to bite back.

Guy: A charming teenage boy who makes dazzling discoveries (like fire and shoes), Guy is a catalyst for change. His inventive ideas ultimately expose the Croods to new possibilities... and a new world.

Belt: This sloth is the world’s first pet, and Guy’s best friend. Belt can't talk, but his signature sing-song expression of doom – “Da da daaaaaaaa!” -- speaks volumes.

Macawnivore: With the body of a small tiger, an over-sized head and the colorization of a Macaw Parrot, the Macawnivore is an imposing creature who towers over the Croods.

Crocopup: An unexpected blend of canine and crocodile, his menacing looks and razor sharp teeth mask a friendly demeanor. Thunk makes him his pet, and names him Douglas.

Punch Monkey: Fun and charming, until they feel threatened, the Punch Monkeys aren’t easily intimidated and, as their name suggests, pack quite a wallop.

Even breakfast is an adventure when you're the last surviving prehistoric family, and the conviction that fear keeps you alive and curiosity will get you killed definitely drives the Crood clan. But Eep (Emma Stone), who's in many ways a typical teenager intent on testing her boundaries and the resolve of her parents (Nicolas Cage and Catherine Keener), yearns for more than hiding out in a dark cave all day. Eep sneaks out of the cave one night and almost gets the whole family killed, but her path crosses with a boy named Guy (Ryan Reynolds), who it seems is destined to change everything for the Crood family. Forced to flee their cave home after it's destroyed, the Croods reluctantly follow Guy on a perilous journey that leads them to discover a whole new world full of breathtaking views, fascinating creatures, and blood-stirring adventure. The animation is lush and gorgeous and the abundance of physical and slapstick humor, especially from Nicolas Cage as Grug and Cloris Leachman as Gran, keeps the plot moving and viewers chuckling throughout the film. What the Crood family's journey eventually reveals is twofold: that focusing on living life and following the light is a viable alternative to hiding in the darkness and that anyone can change. (Ages 8 and older) --Tami Horiuchi
Director: Ang Lee
Genre: Action & Adventure
Studio: Sony Pictures
Rated: PG-13

Hong Kong "wuxia" films, or martial arts fantasies, traditionally squeeze poor acting, slapstick humor, and silly story lines between elaborate fight scenes in which characters can literally fly. "Crouching Tiger, Hidden Dragon" has no shortage of breathtaking battles, but it also has the dramatic soul of a Greek tragedy and the sweep of an epic romance. This is the work of director Ang Lee, who fell in love with movies while watching "wuxia" films as a youngster and made "Crouching Tiger" as a tribute to the form. To elevate the genre above its B-movie roots and broaden its appeal, Lee did two important things. First, he assembled an all-star lineup of talent, joining the famous Asian actors Chow Yun-fat and Michelle Yeoh with the striking, charismatic newcomer Zhang Ziyi. Behind the scenes, Lee called upon cinematographer Peter Pau ("The Killer", "The Bride with White Hair") and legendary fight choreographer Yuen Wo-ping, best known outside Asia for his work on "The Matrix". Second, in adapting the story from a Chinese pulp-fiction novel written by Wang Du Lu, Lee focused not on the pursuit of a legendary sword known as "The Green Destiny," but instead on the struggles of his female leads against social obligation. In his hands, the requisite fight scenes become another means of expressing the individual spirits of his characters and their conflicts with society and each other.
The filming required an immense effort from all involved. Chow and Yeoh had to learn to speak Mandarin, which Lee insisted on using instead of Cantonese to achieve a more classic, lyrical feel. The astonishing battles between Jen (Zhang) and Yu Shu Lien (Yeoh) on the rooftops and Jen and Li Mu Bai (Chow) atop the branches of bamboo trees required weeks of excruciating wire and harness work (which in turn required meticulous "digital wire removal"). But the result is a seamless blend of action, romance, and social commentary in a populist film that, like its young star Zhang, soars with balletic grace and dignity. "--Eugene Wei"
Director: Roger Kumble
Genre: Drama
Studio: Sony Pictures
Rated: R

This modern-day teen update of "Les Liaisons Dangereuses" suffered at the hands of both critics and moviegoers thanks to its sumptuous ad campaign, which hyped the film as an arch, highly sexual, faux-serious drama (not unlike the successful, Oscar-nominated "Dangerous Liaisons"). In fact, this intermittently successful sudser plays like high comedy for its first two-thirds, as its two evil heroes, rich stepsiblings Kathryn (Sarah Michelle Gellar) and Sebastian (Ryan Phillippe), blithely ruin lives and reputations with hearts as black as coal. Kathryn wants revenge on a boyfriend who dumped her, so she befriends his new intended, the gawky Cecile (Selma Blair), and gets Sebastian to deflower the innocent virgin. The meat of the game, though, lies in Sebastian's seduction of good girl Annette (a down-to-earth Reese Witherspoon), who's written a nationally published essay entitled "Why I Choose to Wait." If he fails, Kathryn gets his precious vintage convertible; if he wins, he gets Kathryn--in the sack. When the movie sticks to the merry ruination of Kathryn and Sebastian's pawns, it's highly enjoyable: Gellar in particular is a two-faced manipulator extraordinaire, and Phillippe, usually a black hole, manages some fun as a hipster Eurotrash stud. Most pleasantly surprising of all is Witherspoon, who puts a remarkably self-assured spin on a character usually considered vulnerable and tortured (see Michelle Pfeiffer in "Dangerous Liaisons"). Unfortunately, writer-director Roger Kumble undermines everything he's built up with a false ending that's true to neither the reconceived characters nor the original story--revenge is a dish best served cold, not cooked up with unnecessary plot twists. "--Mark Englehart"
Director: Kelsey T. Howard
Genre: Action & Adventure
Studio: Echo Bridge Home Entertainment
Rated: R

Millions witnessed Philip Markham's (Edward Furlong, "Terminator 2: Judgment Day") public humiliation when he got dumped by Catherine, the beautiful star (Jaime Pressly, TV's "My Name Is Earl") of a popular dating show, and now--several years and reality series later--he wants revenge. After taking Catherine captive, he lures nine unsuspecting co-eds to her luxurious mansion in the middle of nowhere, trapping the contestants in his own sick version of reality TV--where the challenges are bizarre, the danger is real and death is just a competition away.
Director: Rob Moretti
Genre: Drama
Studio: Ardustry
Rated: Unrated

Behind a façade of suburban middle class perfection, David's home life is falling apart. As he tries to cope with this impossible situation, the troubled, impressionable teenager falls under the spell of Kenny, a gorgeous, thirty-something, has-been actor turned theatre coach. And when Kenny's support escalates into seduction, David slowly descends into an abyss of drinking and drug addiction from which he must escape if he is to survive.
Director: John Waters
Studio: Universal Studios
Rated: PG-13

Eisenhower is President. Rock 'n' Roll is king. And Wade "Cry-Baby" Walker is the baddest hood in his high school. Johnny Depp heads up a supercool cast as the irresistible bad boy whose amazing ability to shed one single tear drives all the girls wild - especially Allison Vernon Williams (Amy Locane), a rich, beautiful "square" who finds herself uncontrollably drawn to the dreamy juvenile delinquent and his forbidden world of rockabilly music, fast cars and faster women. It's the hysterical high-throttle world of 1954 in director John Waters' outrageous musical comedy.
Director: Gordon Hessler
Genre: Drama
Studio: Good Times Video
Rated: NR

This TV movie first aired in 1974, but it is not in the least bit dated. It's the story of a family of three who have just moved from their comfortable life in Chicago to a run-down farm in the wilds of Oregon. When the father, played by George Kennedy, is bitten by a rabid skunk, he chains himself to a post in the barn and sends his wife (Joanna Pettet) in the pickup truck to bring back a doctor...if it's not already too late! In the meantime, young son Gus (Lee H. Montgomery) is charged with keeping up the chores and bringing food to Dad in the barn. Mom has all sorts of problems getting to a doctor, and it's in this part of the story that we meet a range of secondary characters, mostly bad guys, and it seems like she will never make it. Not helping things any is the fact that heavy rains are building up a huge volume of water behind a tangle of trees and rocks upstream from the farm, putting Dad and Gus in mortal danger. But Gus has previously been told in no uncertain terms not to believe anything his chained up father says to him because of the possibility of madness brought on by the rabies, and so Gus doesn't believe his father about the flood danger.
This is a typical TV movie -- entertaining but not a great classic. You can tell it's made for TV by the periodic fade outs for commercial breaks. These do not detract from enjoyment of the DVD. Best thing about this DVD is the superb picture quality. It's full frame, and that's the way it was photographed, so you get lots of nice sharp detail and excellent color. Anyone who is a fan of George Kennedy, Joanna Pettet, or Lee H. Montgomery will love this DVD.
Director: Peter Godfrey
Genre: Horror
Studio: Universal Studios
Rated: PG-13

In "Cry_Wolf", a group of students at a snooty prep school conjure a serial killer when someone takes a hoax a little too seriously. Owen (Julian Morris, "Whirlygirl"), who's just transferred to Westlake Academy, quickly becomes enamored of Dodger (Lindy Booth, "Wrong Turn"), a smart and sultry redhead who masterminds a game based on lying and manipulating the other players. After a murder in the nearby woods, Owen escalates the game by concocting a hoax about a serial killer called the Wolf--a hoax that swiftly turns into reality when the not-so-imaginary Wolf sends threatening e-mails to Owen. "Cry_Wolf" mixes your standard slasher movie with your standard secret-twist movie to no particularly effect. The Wolf--who wears an orange ski-mask and wields a hunting knife--is a generic boogeyman; text messages just aren't scary; and all the characters combined couldn't muster up an engaging personality. This movie was obviously made to fit a market niche, not because a writer or director had any genuine inspiration or had to exorcise a personal fear--but even for a b-movie this is meager stuff. Also featuring Jon Bon Jovi ("Vampires: Los Muertos"), Gary Cole ("Office Space"), and Anna Deavere Smith ("The West Wing"). "--Bret Fetzer"
Director: Jonas Govaerts
Genre: Adventure, Horror
Studio: Potemkino
Rated: See all certifications

Sam, 12, is in trouble: his entire "Pathfinder" scout troop picks on him - and worse. The leader, Peter, is the worst of all. He seems to find a sadistic pleasure in humiliating Sam. This year's trip is to a woods near the French border where a curious legend named Kai is said, around the campfire, to make mischief. But when Sam finds that Kai is no legend and that he makes more than mischief, no one believes him.
Director: Vincenzo Natali
Genre: Horror
Studio: Lions Gate
Rated: R

If Clive Barker had written an episode of "The Twilight Zone", it might have looked something like "Cube". A handful of strangers wake up inside a bizarre maze, having been spirited there during the night. They quickly learn that they have to navigate their way through a series of chambers if they have any hope of escape, but the problem is that there are lethal traps awaiting if they choose their route unwisely. Having established some imaginative and grisly punishments in store for the hostages, cowriter and director Vincenzo Natali turns his attention to the characters, for whom being trapped amplifies their best and worst qualities. The film is, in fact, similar to a famous episode of Rod Serling's old television series, though Natali's explanation for why these poor people are being put through hell is a lot closer to the spirit of "The X-Files". "Cube" has some solid moments of suspense and drama, and the sets are appropriately striking: one is tempted to believe at first the characters are lost inside a computer chip. "--Tom Keogh"
Director: Andrzej Sekula
Genre: Science Fiction & Fantasy
Studio: Lions Gate
Rated: R

Eight strangers wake up in a bizarre cube with no recollection of how they got there and no idea of how to get out. They soon discover that they're in a deadly dimension where the laws of physics don't apply and the must unravel the secrets of the "hypercube" in order to survive.

System Requirements:
Starring Andrew Scorer, Barbara Gordon, Bruce Gray, Geraint Wyn Davies, Grace Lynn Kung, Greer Kent, Kari Matchett, Lindsey Connell, Matthew Ferguson, Neil Crone, Paul Robbins, Philip Akin Directed by Andrzej Sekula Running time: 94 minutes Copyright Lion's Gate 2003

Format: DVD MOVIE
Director: Ernie Barbarash
Genre: Horror
Studio: Lions Gate
Rated: R

Following the grisly 1997 "Cube" and its 2002 sequel, "Cube 2: Hypercube", "Cube Zero" stretches the original's "The Twilight Zone"-like, strangers-in-a-box theme a little thin. Fortunately, there's a difference this time. The hero is not just another disoriented captive of the Cube's interconnected--often lethal--rooms, but rather a geek named Eric (Zachary Bennett) who sits in a control station wrestling with his conscience about inflicting misery on innocent people. Taking orders over the phone from some almighty, unknown power in a distant office, Eric reaches a breaking point and enters the maze himself, intent on helping a woman (Stephanie Moore) who doubts his motives. The existential bent of the prior films becomes even more Kafkaesque this time with the arrival of a white-collar team of tormentors, bureaucratic tyrants who can't or won't explain the point of the Cube. Imaginative writer-director Ernie Barbarash rescues what might have been a tedious formula flick. "--Tom Keogh"
Director: Peter Horton
Genre: Drama
Studio: Universal Studios
Rated: PG-13

This heartfelt drama tells us it's an AIDS movie that's not about AIDS. When this film keeps its promise (roughly the first three-quarters), it's a winner, a film about a truly notable friendship between two 11-year-old boys. Diagnosed with AIDS from a blood transfusion, Dexter (Joseph Mazzello) has gratefully bypassed most of Kübler-Ross's stages of death. He is, however, an outcast among his peers until Erik (Brad Renfro) comes along and finds him quite normal. Their bond deepens as they look for a cure for the disease using odd forms of scientific theory. Part educational text, part Mark Twain adventure, part tearjerker, the movie relies on something not found in movies these days: a love affair of male friendship. At its center are two of the best pre-actors around. Mazzello ("Jurassic Park") has a professional presence on screen. The wild card is Renfro in only his second role (the other was "The Client"). As the outgoing, Huck Finn-ish boy, he has impressive physical abilities that communicate a naturalness on screen. The film's sappy hospital scenes bog down the picture tremendously, but they do lead to two special scenes that end the movie. "The Cure" is an assured directorial debut by TV actor Peter Horton ("thirtysomething"). An interesting note: single mothers raise both kids, a fact never lingered on--refreshingly so--in the script written by Robert Kuhn. "--Doug Thomas"
Director: Gore Verbinski
Genre: Drama, Fantasy, Horror, Mystery, Sci-Fi, Thriller
Studio: Regency Enterprises
Rated: R

An ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious "wellness center" at a remote location in the Swiss Alps. He soon suspects that the spa's miraculous treatments are not what they seem. When he begins to unravel its terrifying secrets, his sanity is tested, as he finds himself diagnosed with the same curious illness that keeps all the guests here longing for the cure.
Director: Russell P. Marleau
Genre: Comedy
Studio: Bigfoot Entertainment

Chance Marquis, a confident, self-assured, quick-witted, perceptive, outspoken and clear-headed gay teenager, reflects back on his first year at an international high school. While meeting and making friends with an assortment of types, he also has the targeted attentions of a mirthless vice principal and a bullying, homophobic soccer jock out to make his life miserable. At home, Chance's perceptive little sister openly shares all his confidential secrets with their widowed career-army father seeking common ground with his atypical children. Introduced to a drag club, Chance finds fun and success in a cross-dressing contest, but a photo of his participation makes life at a school a living hell. Time to find out the depths of your friendships.
Director: Wes Craven
Genre: Horror
Studio: Dimension
Rated: Unrated

When you consider its unfortunate production history, "Cursed" turned out surprisingly well as a werewolf thriller that horror buffs will appreciate. It's hardly the disaster critics made it out to be, but extensive rewriting, reshooting, recasting, and lengthy delays in production and release (including the elimination of R-rated gore to earn a PG-13 rating) clearly took their toll. The result is a fun but flawed monster-show that begins when a young talk-show producer (Christina Ricci) and her teenaged brother (Jesse Eisenberg) are bitten by a werewolf, setting the stage for a horror-in-Hollywood scenario that reunites director Wes Craven and screenwriter Kevin Williamson, creators of the "Scream" franchise. What could have been a classic horror comedy is instead a fairly solid, if unremarkable, exercise in Los Angeles lycanthropy, featuring werewolf makeup by Rick Baker (combined with CGI transformation effects, of course) and some of Williamson's snappy dialogue and trademark pop-culture references. The title of "Cursed" doubles as a description of this movie's ultimate fate, but in a market filled with straight-to-video horror fodder, it's anything but a lost cause. The supporting cast includes Shannon Elizabeth, Portia de Rossi and Joshua Jackson, so genre aficionados should definitely check it out. "--Jeff Shannon"
Director: Jim Gable, ,
Genre: Music Video & Concerts
Studio: Sony
Rated: NR

Cyndi Lauper may talk like Edith Bunker (or any number of other queens from Queens), but she sure doesn't sing like her. Indeed, two decades after she burst on the pop scene with her "She's So Unusual" album, Lauper's voice is arguably stronger than ever--an opinion borne out in "Live... At Last", a 16-song, 112-minute concert recorded in New York in March, 2004 (the title references both her '03 CD of the same name and the fact that this is her first concert video since 1987's "Cyndi Lauper in Paris"). Unlike, say, such understated chanteuses as Norah Jones and Diana Krall, Lauper likes to wail, and if the result is occasionally somewhat over the top, it still makes for powerful performances of such familiar material as "I Drove All Night," "All Through the Night," and her biggest hits, "Time After Time" and the salsa-flavored "Girls Just Want to Have Fun." Indeed, Lauper is at her best when she simply rocks (the punkish "It's Hard to Be Me" is another highlight). Far less successful are the mannered, ponderous, and/or melodramatic arrangements of pop standards like "Walk On By," "If You Go Away," and "Don't Let Me Be Misunderstood," while the French café vibe on "She Bop" is cute but insubstantial. The visuals (shot in high definition and viewed in widescreen) and audio are excellent, while bonus features include Lauper's guided tour of Queens. "--Sam Graham"